Donovan – "Atlantis" (1969)

Way down below the ocean

Where I wanna be

She may be

After visiting Chappaquiddick Island and retracing the route taken by Ted Kennedy the night he drove off the Dike Bridge – killing Mary Jo Kopechne – I did quite a bit of reading about what happened that night.

I also watched the 2017 movie, Chappaquiddick, which purports to tell the true story of what happened that night:

Opinion about the Chappaquiddick movie is divided along political lines.  Those who believe Kennedy and his allies used their power and influence to preserve Kennedy’s political future by covering up what happened that night applauded the movie’s damning depiction of Teddy as callow, dishonest, and cowardly.  Defenders of Kennedy have criticized it as fake history.

As a work of art, Chappaquiddick is unimpressive – it suffers from a very weak script and unconvincing acting.  

And as a work of history, the movie relies too heavily on conjecture.  But it deserves credit for pointing out some key truths about what happened that night.

*     *     *     *     *

The movie puts great emphasis on the fact that Kennedy waited until the following morning to report the accident to police.  (By the time he went to the police, a fisherman and his son has discovered the submerged car and called authorities, who discovered Mary Jo Kopechne’s lifeless body.)

Kennedy said he failed to call the police immediately because he was in shock, having supposedly suffered a concussion in the accident.  

Many believe the real reason he put off calling the authorities was that he was trying to concoct a story absolving himself of blame for the accident – perhaps he thought about claiming that Kopechne or someone else had been driving the car.

But whatever the real reason for Kennedy’s delay in coming clean, did it ultimately matter?  After all, it would have taken him some time to make his way on foot from the bridge to a house with a phone.  And once he called the police, it would have taken more time for rescuers to get to the scene of the accident.  Surely Kopechne – trapped in the submerged car – would have died long before then.

*     *     *     *     *

But what if Mary Jo Kopechne didn’t drown?  

John Farrar, the captain of the Edgartown Fire Rescue unit and the diver who recovered Kopechne's body, believed that she suffocated instead.  

At the inquest into her death, Farrar testified that Kopechne's body was pressed up in the back seat of the car in the spot where an air bubble would have formed:

It looked as if she were holding herself up to get a last breath of air.  It was a consciously assumed position . . . . She didn't drown.  She died of suffocation in her own air void.  It took her at least three or four hours to die.  I could have had her out of that car twenty-five minutes after I got the call.  But [Kennedy] didn't call.

(In a 1989 interview, Farrar said that Kopechne “lived at least two hours down there.”  That’s less than his original estimate of three to four hours, but it’s still much longer than the time it would have taken him to get her out of the car if Kennedy had reportedly the accident sooner.)

Ted Kennedy (in neck brace) and his wife Joan
leaving the funeral of Mary Jo Kopechne

The local medical examiner signed a death certificate that stated the cause of death was drowning and released Kopechne's body to her family without ordering an autopsy.  She was buried in Pennsylvania a few days later.

*     *     *     *     *

Ted Kennedy’s wife Joan was pregnant and confined to bed the night her husband drove Mary Jo Kopechne off the Dike Bridge.  (Joan had suffered two previous miscarriages and was trying – unsuccessfully, as it turned out – to avoid a third.)   

Joan Kennedy speaks only one line in the Chappaquiddick movie.  When Ted thanks her for agreeing to attend Mary Jo Kopechne’s funeral with him, she replies, “Go f*ck yourself, Teddy.” 

I don’t know if she really said that to her husband.   But if she did, the rat bast*rd richly deserved it. 

*     *     *     *     *

Donovan’s U.S. record company released “Atlantis” as a B-side.  After all, the song was five minutes long, and its first third features Donovan reading (not singing) a bunch of nonsense about the mythical lost continent.  

But it ended up becoming a top-ten hit.  (Go figure.) 

I’m featuring “Atlantis” today because it was used in one of the trailers for the Chappaquiddick movie.  That choice of musical accompaniment may be apt, but it’s of very questionable tastefulness.  After all, the song ends with Donovan singing “Glub glub, down down, my antediluvian baby.”

Click here to view that trailer.

Click here to listen to “Atlantis.”

And click below to buy the song from Amazon:

Donovan – "Atlantis" (1969)

Way down below the ocean 

Where I want to be 

She may be

I won’t lie to you, boys and girls.  I absolutely loved this song when it was released in 1969.

All of Donovan’s songs (with the possible exception of “Season of the Witch”) were hippy-dippy in the extreme, and “Atlantis” was the hippiest-dippiest of them all.  But I didn’t care – the song may have been a hot mess, but I loved it regardless.  

Donovan

“Atlantis” was released in the U.S. as the b-side of “To Susan on the West Coast, Waiting.”  It somehow became a top ten single.  

The first third of the five-minute-long song was a bunch of spoken-word nonsense about the lost continent of Atlantis.  (In case you've got a lot of time on your hands, you can click on this link to be taken to a website that discusses all the mistakes in "Atlantis.")

The last two-thirds of the song consisted of the lyrics quoted above being sung over and over – by my count, the chorus was repeated 14 times.

Like “Atlantis,” “Hey Jude” by the Beatles and “I’m Your Captain (Closer to Home)” by Grand Funk Railroad were very long songs that closed with choruses that were sung over and over.  I loved those songs, too.

“Atlantis” got a surprising amount of radio play back in the day.  When I was in high school, there were AM radio stations in Springfield, Missouri and Little Rock, Arkansas and other unlikely spots that I listened to that regularly played long songs like “Dazed and Confused” by Led Zeppelin, and “Midnight Rambler” by the Rolling Stones, and “Monster” by Steppenwolf.

“Atlantis” is featured in a scene in Goodfellas where Joe Pesci and Robert DeNiro beat the crap out of a gangster nicknamed Billy Batts, shoot him in the head, and then drive him way out into the country to bury him.  (I took my older son to see Goodfellas when he was barely seven years old, and I vividly remember the look of horror on his face during this scene.)

So have you figured out the theme of this year’s “29 Songs in 29 Days”?  No?  Geez Louise, it's as plain as the nose on your face.  (If it was a snake, it would have bit you.)

Here’s “Atlantis”:

Click below to buy the song from Amazon: