Showing posts with label M.I.A.. Show all posts
Showing posts with label M.I.A.. Show all posts

Sunday, March 27, 2016

M.I.A. – "Bad Girls" (2012)


Looking in the rear view
Swagger going swell
Leaving boys behind 

I found out a few days ago that my first grandchild will be a masculine grandchild.


I was pleased as well.  But I was also concerned, because boys have it harder than girls these days.

“The human male is, on most measures, more vulnerable than the female,” according to Dr. Sebastian Kraemer.Death, damage and disease are commoner or more severe in males throughout the lifespan.” 

Because of the biological fragility of the male fetus, males are at a disadvantage to females from the first moments of life.  “Everything that can go wrong from conception to delivery is more likely to affect the male,” says Kraemer. 

At conception there are more male than female embryos. . . .  From this point on it is downhill all the way.  The male fetus is at greater risk of death or damage from almost all the obstetric catastrophes that can happen before birth.  Perinatal brain damage, cerebral palsy, congenital deformities of the genitalia and limbs, premature birth, and stillbirth are commoner in boys, and by the time a boy is born he is on average developmentally some weeks behind his sister . . . .

Dr. Sebastian Kraemer
Prenatal life for male fetuses is clearly a struggle – but postnatal life for boys is no bowl of cherries:

Developmental disorders – such as specific reading delay, hyperactivity, autism and related disorders, clumsiness, stammering, and Tourette's syndrome – occur three to four times more often in boys than in girls . . . . Conduct and oppositional disorders are at least twice as common in boys. . . .

Some of these problems are influenced by biology, but the problems faced by older boys appear to be as much the result of nurture as nature.

(Can you imagine the reaction
 if a store sold T-shirts that read
"Girls are stupid, throw rocks at them"?)
“Cultural expectations about masculinity shape the experience of boys as they grow up,” according to Kraemer:

Most at risk are the "boys who don't talk."  They become "ashamed of being ashamed," and try to stop feeling anything. . . . This is not a safe strategy.  The excess of non-fatal and fatal accidents among boys seems to be part of a pattern of poor motor and cognitive regulation in the developing male, leading to misjudgment of risk.  In adolescence the nature of risk taking may change and lead to dangerous experiments with drugs and alcohol or to violence against self and others.  As is now well known, the suicide rate in young men is several times higher than in young women and has risen alarmingly from the late 1970s until recently.

Things don’t get any better for adult men:

Disorders of addiction, particularly substance abuse, are commoner in males.  Even when ill, men may not notice signs of illness, and when they do they are less likely to seek help from doctors.  This tendency will account for some of the excess suicides in males.  In his despair the victim believes that no help is available, that talking is useless.  If baby boys are typically harder to care for (see below) it is arguable that they will be more likely to feel lonely as adults.


The biological fragility of males lasts from cradle to grave, according to Kraemer:

Later in life the process continues unabated.  Circulatory disorders, diabetes, alcoholism, duodenal ulcer, and lung cancer are all commoner in men . . . . Male suicide rates continue to exceed those in females throughout life, and, as is universally known, women survive men by several years in almost all countries, and the gap is widening. 

At this point, I’m not worried about my unborn grandson’s greater vulnerability to heart disease and alcoholism.  But I am concerned by the fact that he will be discriminated against in the classroom when he starts school in a few years.

Erika Christakis of the Yale Child Study Center wrote in Time magazine that a recent study found that kindergarten teachers (over 95% of whom are female) discriminate against boys when handling out grades:

A new study on gender disparities in elementary-school performance — the first study to examine both objective and subjective performance — found that boys were given lower grades than girls, even in cases where their test scores were either equal to or higher than the girls’ test scores.

Erika Christakis
It seems like out-and-out discrimination, except there is an interesting wrinkle: teachers didn’t downgrade boys who had identical test scores to girls if they seemed to share the girls’ positive attitude toward learning. 

In other words, kindergarten teachers don’t discriminate against boys just because they are boys – they discriminate against boys who act like boys typically behave, but not against boys who act like girls typically behave.

[T]he well-socialized boys received a small grade “bonus” for their good behavior relative to other boys, suggesting that teachers may be overcompensating when they encounter boys whose behavior exceeds expectations.  In other words, boys who match girls on both test scores and behavior get better grades than girls do, but boys who don’t are graded more harshly.  Which means that the issue of what to do with underperforming boys just got a lot more complicated.

We’ve known for a long time that boys, on average, struggle with school more than girls do. Learning disabilities and behavioral problems are more prevalent among boys, and high school and college graduation rates are lower. [NOTE: In 1960, about 60% of new college graduates were male.  Today, the reverse is true – 60% of new college graduates are females.]  Boys also receive two-thirds of failing grades and are more likely to find school boring or frustrating.

What’s new is the finding that these gender disparities start so early and appear linked not only to gaps in relatively objective measures like test scores but also to teachers’ assessments of their own students. 



BBC Radio reporter Winifred Robinson – whose only child is a boy – believes that the preferences of English parents when it comes to having boys or girls have changed dramatically over the course of her lifetime:

As one of six daughters growing up in the seventies, girls were so little prized compared with boys that a friend of my father even expressed his sympathy rather than congratulations when my youngest sister, a perfectly healthy child, was born.

Can you imagine that happening now?  I rather doubt it.  In an almost complete reversal of attitudes, today's parents long for girls.

As the mother of an only child, a son, I do not think I am exaggerating in saying that I detected something akin to sympathy when we announced that we had a boy. . . .

Winifred Robinson and her son
At the heart of this new preference lies the fact that all parents want their children to succeed in life – and quite simply, in today's Britain, girls are more likely so to do.

Building on a trend that began more than a decade ago, girls are outperforming boys at every level in education. They get more and better GCSEs and A-levels, win more places at top universities and gain better degrees.

Robinson believes the pendulum has swung much too far:

Imagine for a moment the outcry that would follow – from parents, politicians, the teaching unions –  if girls began to lag behind boys in school. 

Yet there is a widespread silence on the very real problem of boys’ underachievement, as though by raising it we are somehow anti-women. 


Some education specialists even ask if it matters – as though boys’ failure is the natural downside to women’s greater success; as if the current situation represents some kind of natural order where women must go beyond equality and always come out on top. 

Of course it matters, just as it mattered 30 years ago when fewer girls than boys made it to university. It matters because it is unjust, and it matters because it is a shameful waste of talent and one that we can ill-afford. 

As someone who has benefitted enormously from the women’s movement, I deplore the prospect of a generation of disadvantaged young men failing to reach their true potential and missing out on university and the chances it brings.

*  *  *  *  *

“Bad Girls” was featured on a 2 or 3 lines over four years ago.  (You can click here to read that post.)  


M.I.A.
That is absolutely mind-boggling to me.  I remember that post as if I had written it yesterday.  

I rarely re-use songs that I’ve previously featured, but the lyrics from “Bad Girls” fit today’s post.  Plus I couldn’t resist the opportunity to share the “Bad Girls” music video with those of you who missed it the first time.  

PLEASE watch it if you've never seen it.  As my son said four years ago, “This is basically the bombest video in history.”  Indeed it is:



Click below to buy the song from Amazon:

Sunday, March 4, 2012

M.I.A. -- "Bad Girls" (2012)


Live fast
Die young
Bad girls do it well

We have a lot to talk about today, but first I need to say "Thank you" to the young lawyer at my firm who sent me a link to the music video for M.I.A.'s "Bad Girls" a couple of weeks ago.  (I don't think she's quite as bad a bad girl as M.I.A. is, but I hear she's in the same neighborhood.)

Let's get right to it: click here to watch the "Bad Girls" video.  As my son said after I shared it with him, "This is basically the bombest video in history."

OMG!

Let's try that again: O . . . M . . . G!!!

*     *     *     *     *

M.I.A.'s real name is Mathangi "Maya" Arulpragasam.  Her parents are Sri Lankan.  Shortly after she was born in London in 1977, her family back moved to Sri Lanka, where her father became a prominent political activist.

Civil war broke out in Sri Lanka in 1983.  M.I.A.'s family were Tamils, which is the second largest ethnic group on the island.  (The majority Sinhalese outnumber the Tamils by about three to one.)  Tamil separatist forces -- known as the Tamil Tigers -- were eventually defeated by the government army in 2009, after a 26-year-long military struggle.

The flag of Sri Lanka
M.I.A.'s mother took her children to live in India after the civil war broke out, and then moved them back to London in 1986.  Her father stayed behind in Sri Lanka, leaving it to the mother to make a living and support the family.

M.I.A. attended an art school in London, and mounted a successful exhibition of graffiti-inspired spray-paint paintings in London in 2001.  Jude Law was one of her first customers.

M.I.A.
About the same time, she became acquainted with the lead singer of the band Elastica, designed the cover for an Elastica single, and made a video documentary of the group's tour.  She began to experiment with a synthesizer and drum machine, and released her first single on a tiny independent record label in 2003.  M.I.A. utilized her MySpace page and file sharing to build a large online following, and eventually signed with a major record label.  Her fourth album is expected to be released this coming summer.

M.I.A.'s music is highly eclectic – it mixes electro/dancehall music, hiphop, alternative rock/punk, Tamil folk, and Bollywood-style music.

Her songs are usually political, and her politics are quite radical.  Given her upbringing, it's not surprising that she supports various third-world revolutionary movements.  

Nevertheless, she was once engaged to Benjamin Bronfman – the two had a baby together in 2009 – who is the son of billionaire Edgar Bronfman, heir to the Seagram's liquor fortune.

A pregnant M.I.A. with Bronfman
M.I.A. was in the news recently after performing at Super Bowl XLVI with Madonna and Nicki Minaj.  (Click here to read what 2 or 3 lines had to say about the song these three performed as part of the halftime show.)  M.I.A. thoughtfully omitted the word "sh*t" from her verse, but flipped the bird to the TV cameras instead.  

After the infamous Janet Jackson "wardrobe malfunction" eight years ago, NBC and the other major networks supposedly had put fail-safe procedures into place to prevent indecent material from being aired.  But NBC censors were unable to blur M.I.A.'s middle finger in time.

M.I.A. at the Super Bowl
"She wasn't thinking," said a M.I.A. spokesperson.  "She's incredibly sorry."  (Sure she is.)

*     *     *     *     *

The "Bad Girls" video brought to mind the author Salman Rushdie and the fatwa (a ruling concerning Islamic law that is issued by an Islamic scholar) that the Ayatollah Khomeini announced after Rushdie's 1988 novel, The Satanic Verses, was published. 

Khomeini
Khomeini viewed Rushdie's depiction of the prophet Muhammed in his novel as blasphemous, and called upon faithful Muslims to kill Rushdie.  Iranian officials consequently offered a bounty for Rushdie's death, which caused the British government to break off diplomatic relations with Iran.  

There were a number of attempts to assassinate Rushdie and others who were involved in the publication of The Satanic Verses.  One would-be assassin blew himself up while putting together a bomb he planned to use to kill Rushdie in London in 1989.  The Japanese translator of the book was stabbed to death, the Italian translator was seriously wounded in a stabbing, and the Turkish translator survived a fundamentalist mob attempt to kill him by burning down his hotel.  (37 people died in the fire.)  

Rushdie with his book
The UK reestablished diplomatic relations with Iran in 1998 after officials in that country pledged that it would not support future assassination attempts on Rushdie.

But the Iranian government has no power to withdraw the fatwa – only the person who issues it can withdraw it.  Since Khomeini died a few months after issuing the fatwa in 1989, it will remain in effect until Rushdie dies – hopefully from natural causes.

*     *     *     *     *

I bring all this up because I can imagine M.I.A. becoming the subject of a fatwa as a result of the "Bad Girls" video.  Not every fatwa calls for the subject to be killed as punishment – perhaps a fatwa involving "Bad Girls" would call for the faithful to boycott her music or send her rude e-mails.  

For one thing, I doubt that fundamentalist Muslims would appreciate the chic designer hijab worn by the dancers in the video.  (Hijab is a term that is often thought to refer to a Muslim headscarf/veil, but which really refers to all the clothing that conceals a Muslim woman's entire body, save only the face and hands.)  Hijab garments are not always black, but are generally a single color – preferably a relatively plain and simple color.  I'm guessing that no observant Muslim woman would appear in leopard-print or polka-dotted hijab.

Women wearing hijab
M.I.A. herself does not appear in hijab garments in the video.  (The black top she is wearing in the first minute or so of the video isn't exactly hijab either.)  Hijab is intended to promote a woman's modesty when she is in public, and M.I.A. does not seem to consider modesty a particularly desirable personality trait.  To the contrary, she seems to view bumping and grinding in front of the male extras in the video to be more like it.  

Some people think that the "Bad Girls" video – which features some mesmerizing stunt driving – is a protest against Saudi Arabia's ban on driving by women.  That policy dates back to a 1991 fatwa against gender mixing in public.  Some Saudi women are currently suing the government for refusing to issue them driver's licenses.

Maybe the "Bad Girls" video is an impassioned cry for women's rights.  Or maybe M.I.A. just enjoys riding around in cars that are being driven on two wheels or doing other crazy stunts.  Either way, I can't stop watching this video.

M.I.A. in the "Bad Girls" video
One final note.  When I was researching this post, I came across some references to "ghost-riding the whip."  Here's how reporter Paul Fahri defined the term in a 2006 article in the Washington Post:  
To ghost-ride, the driver climbs out of the car while it's moving at low speed. The ghost-rider then busts a move around and on top of the vehicle, usually accompanied by a thumping soundtrack from the car (or "whip," in urban slang). What they're attempting is to make the dance steps as gaudy and elaborate as possible and to stay outside the car as long as possible. It's all about self-expression. Or possibly cheap thrills. Or maybe the ever-popular youthful flirtation with bone-breaking, brain-damaging injury. 
There are ghost-riding videos all over YouTube.  Click here to view one of them.

*     *     *     *     *

Click here to view the official "Bad Girls" video.

Click here to buy the record from Amazon.