Showing posts with label Hey Joe. Show all posts
Showing posts with label Hey Joe. Show all posts

Friday, May 5, 2023

Love – "Hey Joe" (1966)


Hey Joe, where you going 

With that money in your hand?


If you ask Uncle Sam, “Hey Joe” was written by Billy Roberts, who copyrighted the song in 1962 but never recorded it.  


Some people believe Roberts based “Hey Joe” on “Baby, Please Don’t Go to Town,” a song written by his girlfriend, Niela Horn Miller.  (You can click here to listen to her recording of that song and judge for yourself whether Roberts stole “Hey Joe” from her.)


Billy Roberts

David Crosby of the Byrds somehow heard about the song, and Bryan MacLean – who later became a member of Love – learned about it when he was a roadie for the Byrds.  Both the Byrds and Love eventually recorded “Hey Joe” using the lyrics copyrighted by Roberts – including the lines quoted above.


According to Johnny Echols, Love’s guitarist, the Leaves – a garage band from Southern California who Echols was friendly with – asked him for the lyrics after hearing Love perform the song.  Echols decided to play a trick on the Leaves and told them the song began with “Hey Joe, where you goin’ with that gun in your hand?” rather than “Hey Joe, where you goin’ with that money in your hand?”


The Leaves used “Hey Joe, where you goin’ with that gun in your hand?” when they recorded the song in November 1965.  The group didn’t like the way that recording sounded, so they recorded a second version of the song a couple of months later.  That version flopped, but the Leaves didn’t give up.  They recorded it one more time, and that version made it to #31 on the Billboard “Hot 100” chart.


Jimi Hendrix supposedly became interested in recording the song when he heard Tim Rose’s cover on a jukebox in New York City.  I have to wonder about that because Rose’s version used the “Hey Joe, where you goin’ with that money in your hand?” line, while began his cover with “Hey Joe, where you goin’ with that gun in your hand?”  That seems odd.


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“Hey Joe” was subsequently covered by dozens of other recording artists. 


Click here to listen to the Byrds’ 1966 recording of “Hey Joe,” which David Crosby later characterized as “a mistake.”  (No sh*t, Sherlock!)


Click here to listen to the Standells’ 1966 version of “Hey Joe.” 


Click here to listen to the Music Machine’s 1966 cover of “Hey Joe.”


Click here to hear Johnny Halladay’s 1967 French-language recording of the song.


Click here if you want to listen to Patti Smith’s virtually unlistenable 1974 cover of “Hey Joe.”


And click here to watch a video of 7273 guitarists setting a Guinness record by playing “Hey Joe” in Wroclaw, Poland.


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Click here to listen to Love’s recording of “Hey Joe,” which was released on that group’s eponymous debut album in March 1966.  (Bryan MacLean is the lead vocalist on that track instead of the band usual lead singer, Arthur Lee.)


Click here to buy the record from Amazon.


Tuesday, May 2, 2023

Jimi Hendrix Experience – "Hey Joe" (1966)


Hey Joe, where you going

With that gun in your hand?



Stanley Jordan started taking piano lessons when he was six years old.  But he switched to the guitar when he was 11.


What made him drop the piano and take up the guitar?  The death of Jimi Hendrix.


“When I got the news that Jimi had died, I remember the shock and sadness,” Jordan told a reporter. “That was the moment I made up my mind: ‘I’m going to play the guitar’.”


Jordan’s decision to change instruments turned out to be a wise one.  After graduating from Princeton in 1981, he quickly established himself as a jazz guitarist.  His first studio album, Magic Touch, set a record when it went to #1 on Billboard’s jazz chart in 1985 and remained there for 51 weeks.


A couple of years ago, Jordan began to channel Jimi Hendrix in a new live show he called “Stanley Plays Jimi.”  In those shows, Jordan takes the stage dressed like Hendrix – complete with a large Afro wig and Hendrix’s signature headband – and performs covers of some of Hendrix’s best-known records (like “Foxey Lady” and “Purple Haze”).  He also plays some deeper Hendrix cuts, including “Little Wing,” “Red House,” and “Voodoo Chile.”


Stanley Jordan as Jimi Hendrix

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I recently saw Jordan’s “Stanley Plays Jimi” show at Blues Alley, which is Washington, DC’s premier jazz club.


Jordan is a remarkable guitarist.  He’s famous for his unusual two-handed tapping technique – instead of plucking or strumming the string, he produces notes by tapping the string with his fingertips. Click here to watch Jordan demonstrating that technique at the Newport Jazz Festival in 1986.  


A friend who saw the “Stanley Plays Jimi” show that night thought Jordan’s attempt to look like Hendrix was a bit much, and also wished that Jordan hadn’t imitated Hendrix’s playing style quite so closely – she would have liked the show better if Jordan had taken more liberties with the Hendrix originals and injected more of himself into his performance.


I had a different reaction.  My only complaint about the show was that it didn’t include several of my favorite Hendrix tracks – like “Manic Depression,” “Are You Experienced,” and “Hey Joe.”


That should come as no surprise to anyone given that I’m one of those guys who always wanted any group he saw live to play their big hits instead of a bunch of songs from their crappy new album that I had never heard before.  


In fact, I’m still a little pissed about a Sonic Youth concert that I attended in 1998 because the group played almost none of my favorites that night.  Instead, they chose to feature on tracks from their A Thousand Leaves album, which had been released only the day before their Washington appearance – meaning that I had no chance to familiarize myself with the music on it.  Today, A Thousand Leaves is one of my favorite Sonic Youth albums – I think it’s brilliant – but that night, those unfamiliar tracks were only so much noise.


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The great Russian playwright Anton Chekhov once said that if there’s a rifle hanging on the wall in the first act of a play, that rifle must be fired in the second or third act.


(You don’t get it, do you?)

“Hey Joe” follows Chekhov’s principle.  It mentions a gun in the first verse, and pretty soon that gun is fired – with fatal effect.


Purt near everyone covered “Hey Joe” back in the day.  The song has quite a history, which I will explore in the very next 2 or 3 lines.


The Jimi Hendrix Experience released their cover “Hey Joe” as their first single.  It made it all the way to #6 in the UK, but failed to break into the Billboard “Hot 100” in the U.S.  


Believe it or not, Jimi Hendrix had only one top 40 single in the U.S. – “All Along the Watchtower” (which was nothing special).


That’s right – neither “Hey Joe” nor “Purple Haze” nor “Foxey Lady” nor “Crosstown Traffic” nor “Stone Free” cracked the top 40.  (How is that even possible?) 


Click here to watch a video of Jordan covering “Hey Joe.”  (Two minutes in, Jordan plays a solo using the tapping technique.)


Click here to listen to Hendrix’s recording of “Hey Joe.”  


Click here to buy that record from Amazon.

Friday, August 10, 2018

Johnny Hallyday – "Hey Joe" (1966)


Je pensais avoir une fille
Mais il paraît, Joe
Qu'elle dort maintenant entre tes draps
Bravo!

What is wrong with this photo of the elevator control panel in a European hotel?


Everybody knows there’s no such thing as a “0” (zero) floor in a building.  The first floor is the first floor – not the zero floor!  That should be as plain as the nose on your face.

But to get to the ground floor of this hotel, you had to press the zero button – not the “1” button.  (Push the “1” button and you ended up on the second floor.)

New York City has a Third Avenue and a Second Avenue and a First Avenue.  But the last time I checked, it didn’t have a Zero Avenue.  The same should apply to hotel floors.

Calling the first floor the “0” floor is bad enough.  What’s even worse is calling the basement level the “-1” (minus-one) floor.  

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This is the kind of thing that makes a right-thinking American like me tend to eschew European travel.

About a decade ago, I spent a few days in Paris.  Other than that, I managed to avoid Europe for the first three score and six years of my life.  (I’ve been to the UK three times, but I’m not counting that.  The UK is a lot more like the United States than it is like France, Germany, or the other countries of continental Europe.)

That all changed last month when I spent two weeks in France and Belgium with a small group of other Americans.

My fellow pilgrims and I spent most of our time marveling at medieval cathedrals and visiting World War One battlefields and cemeteries.  Truth be told, we also spent a fair amount of time bending our elbows at the bars in our hotels.

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I knew I wasn’t in Kansas anymore – or any of the other fifty states – as soon as my airplane landed in Europe.  

For one thing, H2O is never free at restaurants – you have to buy a big-ass bottle of water if you want to wet your whistle with something other than beer or wine.  

European flush buttons
For another, the toilets always have dual flush controls.  You push one for number one, and push the other one for number two.  (I was never sure which was which, so I usually pushed both of them simultaneously.)  

Manual-transmission cars have pretty much disappeared in the good old U.S. of A., but automatic transmissions are the exception in Europe.  If you rent a car, expect it to come with a manual transmission – you’ll have to pay extra if you’re like my children and don’t have a clue how to use a clutch.

Also, you have to get used to kilometers and liters and other such metric units of measurements.  This is particularly important when you are ordering beer.  Draft beer is served in either 25-centiliter or 50-centiliter glasses – which are roughly equal to a half-pint and a pint, respectively.  Bottled beer usually comes in 33-centiliter bottles or cans, which are a bit smaller than standard 12-ounce American containers.  

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I had one experience on my European trip that still mystifies me.

My tour group spent two nights at a fancy resort hotel in Chantilly, France – a rather posh town just 25 miles northeast of Paris.

Chantilly is the site of the Château de Chantilly, a sort of mini-Versailles built by a lesser branch of the French royal family (the House of Bourbon).  It is also the home of a prestigious thoroughbred turf racecourse, the Chantilly Polo Club, and the Living Museum of the Horse.  (That museum is housed in the château’s luxurious Great Stables, which have room for up to 240 horses.  The Great Stables were built in 1719 by Louis Henri, duke of Bourbon and prince of Condé, who believed that he would be reincarnated as a horse).

Horse-sized lamp in the
lobby of our Chantilly hotel
Our hotel was within spitting distance of the château and all that fancy horsey stuff, and came equipped with its own golf course.

What it did not come equipped with were any drawers or shelves where I could unpack my clothes.

In the United States, even the humblest Red Roof Inn or Motel 6 provides drawers or shelves where its customers can store their clothes during their stay.  My hotel room in Chantilly had five hangers in a closet, but no chest of drawers or other place to put my clothes.  I thought that I must be overlooking something, and called the front desk for assistance.

When a hotel employee finally answered, he claimed to not be able to hear me.  I tried calling back on the other telephone in my room and was told the same thing when I asked where the drawers or shelves were.

So I walked down to the lobby and put my question to a group of desk clerks.  Their expressions showed their utter lack of comprehension of what I was driving at, so I asked to speak to a manager, who assured me that my room was perfect just the way it was.

“Let me ask you something,” I said to the manager.  “Where am I to put my socks?  If you were me, and you wanted to take your socks out of your suitcase and put them somewhere, where would you put them?”

Fine for coats, but useless for socks
The manager had no answer to what seemed to me to be a most reasonable question.  Apparently, the custom at this hotel was for guests to place their socks on the floor, or perhaps on the desk.

Shortly after I returned to my room, there was a knock on the door.  When I opened it, one of the housekeeping staff handed me some wooden hangers, then turned and left without a word.  

Did this mean I was expected to put my socks on hangers?  Zut alors!

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This is the first in a series of posts about my trip to France and Belgium, several of which will feature a song by a French or Belgian recording artist.

The late Johnny Halladay was the biggest of all French pop stars.  He released an astonishing 79 albums and sold well over 100 million records during his 57-year career.

Hallyday covered a number of American and British hits – including “Let’s Twist Again,” “(Let Me Be Your) Teddy Bear,” “House of the Rising Sun,” “Proud Mary,” and even “Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini.”

Some called Hallyday “the French Elvis,” and it’s not a bad comparison.  Both were hugely popular, and both were hugely ridiculous.

Johnny Hallyday (1968)
The lyrics in Hallyday’s cover of “Hey Joe” are very different from the lyrics in the Jimi Hendrix version of the song.  For one thing, the singer didn’t shoot his old lady down.   

Here’s an approximate translation of the French lyrics quoted above:

I thought I had a girl who would be good to me, Joe 
But she’s sleeping between your sheets now
Bravo!

Click here to hear Johnny Hallyday’s cover of “Hey Joe.”

And click on the link below to buy the song from Amazon: