Courtney Love – "Take Me to the River" (2015)

I don’t know why I love you like I do

All the troubles you put me through

Courtney Love – who was born Courtney Michelle Harrison in San Francisco in 1964 – is now, and seems to have always been, a hot mess.  But that may not be entirely her fault.

Courtney’s parents met in 1963 at a party for Dizzy Gillespie.  Her mother, Linda Carroll, is a well-known couples therapist.  Her father, Hank Harrison, was a Haight-Ashbury hippie who was buddies with the Grateful Dead’s bassist, Phil Lesh.

Carroll was pregnant when the couple got married later that year.  She later claimed that the pregnancy was the result of date rape.

She also alleged that Harrison gave Courtney LSD when she was a toddler.  He denies it, but I lean toward thinking that Carroll’s story might be true – it would explain a lot about how Courtney turned out.  (Of course, so would the fact that she spent a lot of time in Portland, Oregon.)

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After the Carroll and Harrison got divorced, she took Courtney to Oregon and got remarried to a trash collector whom her friends nicknamed the “Garbage Adonis.”  She and Adonis had two daughters before they were subsequently divorced.  

Carroll then took Courtney and her two half-sisters to New Zealand, where they lived on a sheep farm.  Courtney was a difficult child, according to her mother, who says that she used to set a lot of fires, and told one of her half-sisters that she was retarded and adopted.  

Kurt Cobain and Courtney Love

When Courtney got expelled from school, her mother shipped her back to Oregon.  She promptly got herself arrested for shoplifting a T-shirt and was sent off to the Oregon reform school for girls.

Courtney was legally emancipated when she turned 16 and immediately started working as a topless dancer in Portland.  That’s when she changed her name to Courtney Love, which you have to agree is a pretty damned good stripper name.

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In addition to topless dancing, Courtney picked berries, worked as a DJ at a gay disco, and attended Portland State.  While still a teenager, she moved to Dublin, where she studied at Trinity College for two semesters.  Her next stop was Liverpool, where she met musician Julian Cope and his Teardrop Explodes bandmates.

Courtney returned to Portland briefly, then headed off to Japan and Taiwan, once again supporting herself by stripping.  When the authorities shut down the club where she was working in Taiwan and deported her, she came back to Portland but then moved to San Francisco, where she started a band and enrolled in acting classes.

She was cast in a minor role in the 1986 Sid Vicious biopic, Sid and Nancy, which was filmed in New York City.  She decided to hang around the Big Apple for a while, squatting in the East Village and picking up a few bucks at a Times Square peep show.  

Director Alex Cox gave her a leading role in Straight to Hell, an unwatchable neo-spaghetti Western that starred Clash frontman Joe Strummer and singer/model Grace Jones, but her role in that flop didn’t lead to additional acting role, so she moved back to Oregon – McMinnville, not Portland – and went back to . . . you guessed it . . . stripping.

Courtney roasting Pam Anderson in 2005

When the locals recognized her, it creeped her out a little.  So she packed up and moved to Anchorage, Alaska, where she lived in a trailer with the other strippers at a club frequented by local fishermen.  

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Courtney had enough of stripping in Alaska after a few months, so she relocated herself to Los Angeles and taught herself to play guitar.  

She placed an ad in a local music fanzine – “I want to start a band.  My influences are Big Black, Sonic Youth, and Fleetwood Mac” – which led to the formation of the band Hole.  

Courtney continued to dance at Hollywood strip clubs to help pay for amplifiers and a van for Hole to use.  After recording a couple of singles (“Retard Girl” and “Dicknail”), Hole released its first album, Pretty on the Inside, in 1991.  Kim Gordon of Sonic Youth co-produced it.

Hole toured with Smashing Pumpkins, and Love briefly dated that band’s frontman, Billy Corgan, before hooking up with Kurt Cobain.  

She and Cobain were married on Waikiki Beach in February 1992.

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Courtney Love appeared on the TV series Empire as Elle Dallas, an aging, drug-addled rock singer.  (Gee, I wonder why they picked her for that role.)  One of the songs she is shown recording on that show is Al Green’s “Take Me to the River.”

“Courtney Love is so open, and available, and raw,” Empire star Taraji P. Henson said after shooting a particularly dramatic scene with Love.  “She’s not afraid to take it all off.”  (As she proved in Portland, Japan, Taiwan, McMinnville, and Anchorage.) 

Courtney Love on “Empire” in 2015

Click here to hear Love’s recording of “Take Me to the River.”  I think it’s a little overproduced – too many backup singers, for one thing – but it’s not bad.  (Of course, Al Green’s original version and the Talking Heads’ cover are better.)

Click on the link below to buy Love’s “Take Me to the River” from Amazon:

Hole – "Violet" (1994)

I told you from the start

Just how this would end

When I get what I want

I never want it again

Happy Groundhog Day, y'all!

I wonder what I would say if Courtney Love asked me out on a date.  Would I be courageous enough to say "yes"?

Courtney is hot as all get-out.  She's also batsh*t crazy.

If you do a Google search for "batsh*t crazy," you get 843,000 hits.  Some 842,000 of those hits are about Courtney Love, the frontwoman of the punk/grunge band, Hole, and the widow of Kurt Cobain of Nirvana.  

Courtney and Kurt met in 1990 and got married in 1992.  He died of a self-inflicted shotgun wound two years later.  (Just sayin'.)

Courtney Love likes to wear her pet turtle

Before she met Cobain, Courtney Love was briefly married to musician James Moreland, but that marriage was annulled shortly thereafter.  (Love said that Moreland was a transvestite and that their marriage was a joke.)  

Next Courtney had a relationship with Smashing Pumpkins frontman Billy Corgan, which inspired our featured song.  Based on the lyrics and how angry Courtney sounds as she sings "Violet," I'm guessing that things ended badly.  

Courtney and her daughter Frances Bean Cobain
playing "Hello Kitty" guitars.  (That sh*t cray!)

Are you familiar with the Hot-Crazy Matrix?  

The Hot-Crazy Matrix is a graph where a woman's relative hotness is plotted on a zero-to-ten scale on the x-axis and her relative craziness is plotted on a zero-to-ten scale on the y-axis.

Actually, you plot relative craziness on a five-to-ten scale because all women score a minimum of four on a zero-to-ten craziness scale.  (If you meet a hot chick who doesn't act at all crazy – let's say she scores eight or nine on the hotness scale and only two or three on the craziness scale – she is probably a tranny.)

Ideally, you want a woman who scores higher on hotness than on craziness.  It is prudent to avoid women who have high hotness scores but even higher craziness scores – i.e., strippers, redheads, women named Tiffany.  

This video explains the Hot-Crazy Matrix in simple terms:

Courtney Love is a little inconsistent when it comes to hotness.  At times, she's a nine:

At other times, she's a two or a three:  

But she's very consistent when it comes to craziness – she's a solid nine . . . maybe even a nine-point-five.

In other words, we're not talking a girl who keys your new pickup when she catches you texting another girl.  We're talking someone who is capable of putting your pet rabbit in a boiling pot of water or even "Bobbitizing" you in your sleep when she catches you texting your sister.

Here's the very creepy music video for "Violet," which was released on Hole's second studio album, Live Through This, in 1994:

Click below to buy the song from Amazon:

Nirvana -- "Come As You Are" (1991)

And I swear that I don't have a gun

No, I don't have a gun

No, I don't have a gun

Everyone wants to be cool.  But most people are not cool.  (For example, you . . . and you . . . and especially you.)

In the last 2 or 3 lines, I told you that the co-curators of the "American Cool" exhibition -- which recently opened at the Smithsonian's National Portrait Gallery -- had chosen William S. Burroughs as one of the 100 coolest Americans ever.  (Click here if you missed that 2 or 3 lines.)

The "American Cool" exhibition

Burroughs was a prolific author (his novels include Naked Lunch, Queer, Junky, and The Soft Machine) and a Beat Generation icon who hung out with Jack Kerouac and Allen Ginsberg.  (Burroughs makes an appearance in the most famous Beat novel, On the Road, in the guise of the fictional character Old Bull Lee.)

Norman Mailer said that Burroughs was "the only American writer who may be conceivably possessed by genius," and he was admired by many other famous writers -- including J. G. Ballard, Jean Genet, Lester Bangs, William Gibson, and Ken Kesey.

Some of the musicians who say they were influenced by him were Patti Smith, Tom Waits, Lou Reed, and Kurt Cobain (all of whom are featured in "American Cool"), and a number of bands took their names from Burroughs's novels (including Steely Dan, the Soft Machine, Thin White Rope, the Mugwumps, and the Insect Trust).

That all sounds pretty cool.

William Burroughs practices his quick draw

But Burroughs also had a very uncool side.  He was addicted to morphine and heroin for much of his life.  (One of his biographers wrote, "Virtually all of Burroughs's writing was done when he was high on something.")  He cut off the end of his little finger in hopes of impressing a guy he had a crush on.  He shot and killed his wife during a drunken game of "William Tell."

And he wasn't exactly a candidate for the "Best Father of the Year" award -- he introduced his teenaged son to drugs when he came to live with him in Tangiers (where some of Burroughs's friends allegedly tried to rape him).  The son, who blamed Burroughs for most of his problems, died at age 33 from the effects of drug addiction and alcoholism.

When I balance the cool and the uncool aspects of Burroughs's life, I think the scale tips decidedly in the direction of uncool.  But what do I know?  I'm just a wildly successful blogger with absolutely no academic credentials qualifying me to make cool/uncool judgments.  So let's hear what the experts have to say.

Beat Generation icons

One of the co-curators of "American Cool" is a professor of American Civilization at a major Southern university, and the other is the co-director of the museum of art at a New England college.  They didn't make their picks based on their subjective opinion of who was cool and who wasn't.  Instead, each potentially cool figure was considered with a "historical rubric" in mind.

Of course, anyone who uses terms like "historical rubric" is definitely not cool, and almost surely has no effing idea who is cool.

Ceci n'est pas une rubric

Here are the four criteria the curators applied.  To be on the list, you had to meet at least three of the four listed criteria:

1.  An original artistic vision carried off with a signature style

2.  Cultural rebellion or transgression for a given generation

3.  Iconic power, or instant visual recognition

4.  A recognized cultural legacy

That all sounds well and good.  But if you look at the list, you quickly see that each of the hundred picks were actually chosen on the basis of these criteria:

1.  He or she is famous

2.  His or her choice reflects well on the co-curators, and makes them look cool and politically correct

I wouldn't disagree that virtually all of the people on the list are talented and successful.  But being talented and successful doesn't make you cool.  

To the contrary, the primary talent that most cool people have is a talent for seeming to be cool, and the thing that cool people are more successful at is making others believe they are cool.

You know what I think about William Burroughs.  Let's look at one of the other people on the "American Cool" list -- the man behind today's featured song, Kurt Cobain.

Kurt Cobain

Why was Cobain chosen for the exhibition?  Obviously he did well when it came to the "historical rubric" the co-curators applied.  

Looking at the first of their four factors, did Cobain have an "original artistic vision carried off with a signature style"?  I think he did.  Cobain wrote some remarkable songs, and Nirvana certainly had an original style -- although they only recorded three studio albums before Cobain's death.

Second, did Cobain represent "cultural rebellion or transgression for a given generation"?  I think the answer to that question is certainly yes.

Third, does Cobain have "iconic power, or instant visual recognition"?  Probably -- or at least he did at one time.  He certainly doesn't have instant visual recognition among most people today but he probably still does among Generation X'ers.

Finally, does he have "a recognized cultural legacy"?  I'm not sure how this really differs from the first factor discussed above.  But I'll give Cobain this one -- he has a legacy, although its depth and breadth may not be that great.

A very young Kurt Cobain

So Cobain clearly seems to be eligible for the "American Cool" list because he meets the criteria set out by the co-curators.  But does that make him cool?

Not in my book.  I think an essential quality of coolness is -- to use a cliché that I really don't like -- being comfortable in one's own skin.  Someone who is cool is also relaxed and confident and generally satisfied with themselves.  He or she doesn't worry about failure because he or she never contemplates that failure is a possibility.  

Cool people don't sweat the small stuff.  In fact, they don't sweat at all.  (I suspect that many cool people aren't very smart, and that the secret to their gift for staying cool under pressure is that they don't really understand how bad things are.)

Cool people usually are good-looking -- that's just the way it is, boys and girls -- and dress with a certain je ne sais quoi. 

They usually have some kind of talent -- many authors and musicians and star athletes are cool -- but that talent must appear to be mostly natural because it's not cool to struggle and work too hard.  

Nirvana

Many cool people have a lot of money, of course -- it's a lot easier to act cool when you're not worried about paying the rent.  But it's very uncool to talk about your money, or to spend it in a showoffy way.  (Cool guys don't go to strip joints and throw handfuls of cash at the dancers.)

Cool people are not necessarily good people, of course.  They can be vain, and selfish, and not very bright.  (If a cool person is very bright, he or she needs to keep that from showing too much.)

In fact, it's very possible to be cool and an assh*le at the same time as long as you don't act too much like an assh*le in public.  A lot of cool people are at least semi-assh*les, but manage to conceal that fact.

So was Kurt Cobain cool?  I don't think so.  

Kurt Cobain seems to have been a train wreck waiting to happen.  He struggled much of his life with various physical and mental illnesses.  He first used marijuana when he was 13, consumed a considerable amount of LSD, abused alcohol and sniffed solvents, and eventually became a heroin addict.  He had a lot of problems, many of which may not have been his fault -- but people who are screwed up as Cobain are the opposite of cool.

To compound his problems, Cobain married Courtney Love.

Kurt and Courtney

Love's mother was a psychotherapist and her father was the ex-manager of the Grateful Dead.  He allegedly gave her LSD when she was a toddler, which could explain a lot.  When she was 12, Love auditioned for the Mickey Mouse Club TV show, reading a Sylvia Plath poem.  (You can imagine how well that went over.)

A couple of years later, she was arrested for shoplifting and sent to a correctional facility.  After a few years in foster care, she became legally emancipated at age sixteen and immediately went to work as a stripper.  

To make matters worse, she developed a substance abuse problem that was as bad as Cobain's, which didn't help things when they got married.  (Cobain wore green pajamas to the ceremony.)

I don't mean to belittle Courtney Love.  She was a talented musician and a talented actress -- she was nominated for the Golden Globe for Best Actress for her role in The People v. Larry Flynt.  (Coincidentally, Love portrayed William Burroughs's wife -- the one he shot in the head while playing "Drunk William Tell" -- in the 2000 movie, Beat.)  But she was a hot mess.  

At age 27, Cobain killed himself with a shotgun.  That is not at all cool.

Cobain with his daughter,
Frances Bean Cobain

He left behind Love and their 20-month-old daughter.  That is about an uncool as it gets.  (By the way, Love tried to commit suicide on her 40th birthday, and eventually was sentenced to six months of locked-down rehab.)

Courtney Love with Frances Bean

Kurt Cobain suffered from torments the likes of which probably far exceeded anything that you and I will have to battle.  He was a very talented musician, but he was not cool -- it's just not cool in the slightest to become an heroin addict and decide to put the barrel of a Remington model 11 autoloading shotgun under your chin and pull the trigger.

By the way, I just learned that Kurt Cobain and William Burroughs were friends and admirers of one another.  The two collaborated on a 1992 EP titled The "Priest" They Called Him, which consisted of a reading Burroughs did at his home in Lawrence, Kansas, combined with a guitar accompaniment recorded in Seattle by Cobain.  Cobain then asked Burroughs to appear in the video for Nirvana's "Heart-Shaped Box" single, but Burroughs declined.

Cobain drove to Kansas to meet Burroughs in October 1993.  The two exchanged presents — Burroughs gave him a painting, while Cobain gave him a Leadbelly biography that he had signed.

Burroughs and Cobain in 1993

After Cobain committed suicide, Burroughs wrote this: “The thing I remember about him is the deathly grey complexion of his cheeks. It wasn’t an act of will for Kurt to kill himself. As far as I was concerned, he was dead already.”  Burroughs is one of those who feel Cobain “let down his family” and “demoralized the fans” by committing suicide.

There a number of other musicians who made the "American Cool" list who aren't cool either -- for example, Bruce Springsteen, and Tom Waits, and Bonnie Raitt.

It's not that Springsteen and Waits and Raitt are drug addicts or suicidal.  It's simply that their music sucks.  And if your music sucks, you're not cool -- at least not as far as 2 or 3 lines is concerned.

Here's "Come As You Are," from Nirvana's 1991 album, Nevermind:

Click below to buy the song from Amazon: