Showing posts with label Big Star. Show all posts
Showing posts with label Big Star. Show all posts

Friday, September 4, 2020

Big Star – "Back of a Car" (1974)

Sitting in the back of a car
Music so loud 
I can't tell a thing
NOTE: The tenth and final song I’ve chosen to include in this year’s 2 OR 3 LINES “GOLDEN DECADE” ALBUM TRACKS HALL OF FAME class is “Back of a Car,” which was released by Big Star on their Radio City album in February 1974 – just a few months before the cut-off date for that “golden decade" (i.e., the date of my graduation from college).

When listening to the song the other day, I was struck by how the recording perfectly matched the lyrics quoted above: it’s really, really loud. 

When you were an angst-filled teenager, did you ever turn up your car radio really, really loud and just let that sound wash over you when a song that exemplified your angst-filled mood – or even that inspired it – came on?  God knows I did.  Whoever chose the recording levels for “Back of a Car” must have been having an angst-filled day, too.

“Back of a Car” was originally featured in the December 4, 2011 2 or 3 lines.  What follows is a lightly edited version of that post.  

*     *     *     *     *

Ford Madox Ford's tragic novel, The Good Soldier (1915), has a very famous opening line: "This is the saddest story I have ever heard."

In the world of popular music, the story of the band Big Star may be the saddest story I have ever heard.  

Let's begin with the band's name.  Lead singer Alex Chilton, guitarist Chris Bell, drummer Jody Stephens, and bassist Andy Hummel named their band after a chain of Memphis grocery stores, Big Star Markets.  (During recording sessions, the group used to buy snacks at a nearby Big Star store.)

Big Star (circa 1971)
It sounds like the choice of that name was a fairly casual decision – perhaps it was meant to be somewhat tongue-in-cheek.  Or maybe the four knew deep down inside just how good they were.

Did the choice of names jinx the band?  Did the gods of pop music frown on such hubris?

*     *     *     *     *

Big Star should have been big stars.  They wrote and recorded songs that were as good as those of the great sixties bands they've been compared to – including the Byrds, the Beach Boys, and even the Beatles.

I think the most apt comparison is to the Beatles.  I know, that sounds almost sacrilegious – everyone thinks the Beatles stand alone on the top of pop music's Mount Olympus.  But if the Beatles had been from Memphis instead of Liverpool, they might have sounded very much like Big Star.   

Big Star's first album was titled #1 Record.  (The ironies are really starting to pile up, boys and girls: Big Star should have been big stars, and #1 Record should have been a #1 record.)


The "#1 Record" cover
The reviews of the album were very positive.  Billboard said, "Every cut could be a single," which is exactly right.  Rolling Stone said that #1 Record, which featured both reflective, acoustic cuts and powerful and sharp-edged rockers, was "exceptionally good."

But Big Star's record label, Memphis-based Stax Records, specialized in soul, blues, and gospel music, and seemed to be clueless when it came to marketing #1 Record.  

Stax had recently signed a distribution deal with Columbia Records, which should have led to broader availability of Big Star's album.  Perhaps as the result of corporate politics, just the opposite happened.  #1 Record never got any traction, and sales were shockingly poor.

*     *     *     *     *

Frustrated by the situation, the band's members turned on one another.  Hummel punched Bell in the face, and Bell retaliated by smashing Hummel's new bass guitars to pieces.

Hummel later saw Bell's acoustic guitar in Bell's unlocked car and went after it with a screwdriver.

Bell quit the band once, came back, then quit again.  (He was a heavy drug user, and also struggled with depression.)

The other three members of the group managed to finish the second Big Star album, Radio City, which was released in 1974.  But just before its release, Hummel quit the band -- he was a senior in college, and decide to concentrate on his studies and live a more normal life.  (He left one of the greatest American power pop bands to ever record an album to "concentrate on his studies"?  That leaves me speechless.  Things must really have been going badly for the band.)  

Radio City sold only 20,000 copies -- once again, the reviews were positive, but the marketing support and distribution efforts were lacking.


(Did you notice the Kama Sutra poster in the background of this album cover?)

Chilton and Stephens went right back into the studio with a number of session musicians and quickly produced a third album.  But the record's producer couldn't find a record company interested in releasing an album that has been described as "beautiful and disturbing" and "vehemently original."  That was the end of Big Star for almost 20 years.

*     *     *     *     *

Slowly but surely, the band's reputation continued to grow.  I must have learned about Big Star from an article in one of the underground Boston papers in 1975 or 1976, when I was in law school.  I found #1 Record and Radio City in the cutout bin at a Harvard Square record store and snatched them up.  That was one of the smartest record purchases I ever made – those albums are amazing. 

In 1978, Big Star's first two albums were released in the UK to general critical acclaim, and the third album – which had never been officially titled – was released in the US as Third/Sister Lovers.  (Chilton and Stephens had been dating sisters when the album was recorded.)  

Not long after that album was released, Chris Bell died in a car accident – he was only 27.

Chilton and Stephens reformed the band in 1993, toured extensively, and released an album consisting of new material in 2005.  It received reasonably positive reviews, but there was no way the new album was going to meet expectations.  

Alex Chilton died in March 2010 after being admitted to a hospital with heart problems.

Andy Hummel died of cancer a few months later, leaving Jody Stephens as the only surviving original member of the band.

A very young Alex Chilton
A final word about Alex Chilton.  Chilton got his start in rock and roll as the lead singer of the Box Tops in 1967, when he was only 16 years old.  It's his voice you hear on their hit singles, including "The Letter" and "Cry Like a Baby."  

Chilton co-wrote the songs on #1 Record with Chris Bell, and co-wrote the songs on Radio City with Andy Hummel.  The songs on Third/Sister Lovers were primarily his.  The contributions of the other band members shouldn't be ignored, but Chilton was the moving force behind Big Star.

*     *     *     *     *

It's shocking that Big Star isn't more well-known today.  The band has been called "one of the most mythic and influential cult acts in all of rock & roll,"  and the groups that have acknowledged Big Star's influence on their music include the Posies, the Replacements, and R.E.M.  

Peter Buck once said that R.E.M. had never made a record as good as Revolver, Highway 61 Revisited, Exile on Main Street, or Third/Sister Lovers.  That's putting Big Star in the same league as the Beatles, Bob Dylan, and the Rolling Stones – pretty good company.

But the only Big Star song that most people have ever heard is "In the Street," which was the basis for the theme song for That '70's Show.  

Speaking of which, Laura Prepon was sooooooo hot.  I used to have a HUGE crush on her.  (Who am I kidding with this "used to" stuff?  I still have a huge crush on her.)

Laura Prepon
"In the Street" is a great song.  But just imagine if most people only knew about the Beatles or Beach Boys because one of their songs had been used for a TV sitcom theme song.  

I told you this was going to be a sad story. 

*     *     *     *     *

Click here to listen to "Back Of A Car."

Here's a link you can use to buy it from Amazon:

Sunday, September 16, 2018

Big Star – "Don't Lie to Me" (1972)


I know where you’ve been
And I know what you’ve been doing
Don't lie to me!

A few years ago, I was refereeing a 6th-grade boys’ basketball game.  One of the players dribbled the ball off his foot and out of bounds – or so I thought.  

But after I made the call, the opponent who was guarding the dribbler told me that the ball had actually gone off his foot.

I reversed my call based on the defender’s admission.  And after the game was over, I went over to his coach and told him that I hoped he wouldn’t criticize his playing for telling the truth.

They’ll learn to cheat in a few years
I doubt that a 10th-grader or even an 8th-grader would have corrected my call.  At some point, boys (and girls) learn that it’s more important to win than to be honest and a good sport.

They learn that because coaches (and parents) teach them that.

*     *     *     *     *

In a recent game, New York Mets 3B Todd Frazier dove into the Dodger Stadium seats in an attempt to catch a foul pop hit by Los Angeles Dodger Alex Verdugo.  

Todd Frazier goes ass over teakettle
 in pursuit of a foul pop
At first glance, it appeared that Frazier had caught the ball, and the umpire called Verdugo out.  But appearances can be deceiving.

Steve Gelbs of SportsNet New York, the Mets’ TV affiliate, reveals what actually happened on the play in this video:



Frazier is guilty of two distinct acts of deception here.

First, after dropping the ball when he fell into the stands, he picked up a ball and showed it to the umpire – in essence, he was telling the umpire, “I caught the ball!  Here it is!”

Second, when he realized that the ball in his glove was not the official MLB ball that Verdugo had hit but an unofficial ball brought to the game by a kid (probably in hopes of getting it autographed), he tossed it to a fan in the stands instead of returning it to his pitcher or an umpire – which ensured that an umpire would never see or touch the ball and realize it was not a game-used ball.

Click here to watch video of a postgame interview with Frazier that demonstrates he was aware from the very first that he had not caught the ball cleanly.  (You may need to unmute that video.)

Initially, Frazier thought the ball on the ground that he picked up and showed to the umpire was the actual foul ball – but as soon as he felt it, he knew it was not an official ball.

Rather than criticizing Frazier’s actions, most press accounts of the incident praised him for his quick thinking.  SI.com’s characterization of Frazier’s deception – “That’s gamesmanship at its finest” – is typical. 

Frazier certainly didn’t apologize for being a liar and a cheat:

It is Hollywood, so sometimes you have to act out a little bit. . . . It was one of those things where I think any third baseman or any player trying to win would do it. 

What do you expect from a Met like Frazier?
You might expect Major League Baseball to suspend or at least fine Frazier for his blatant cheating.  After all, the play took place in a game that had a direct impact on the pennant race.  (The game was 1-1 after eight innings, so every out mattered.  The Dodgers, who were in first place in their division by a half game, eventually lost and fell into second place as a result.)

But MLB officials never even considered punishing Frazier for cheating.  

God help you if you’re a baseball player and you fail a drug test.  (Test positive for steroids and you’ll be suspended for 80 games.  Test positive a second time and you’ll sit out one entire season – 162 games.)  

But the blatant deception of an umpire that directly affects the outcome of a game that might determine who makes the playoffs and who doesn’t isn’t even worth a slap on the wrist.

*     *     *     *     *

The Todd Frazier story was completely overshadowed by what happened few days later in the U.S. Open women’s final match between Serena Williams (who has won no fewer than 23 Grand Slam singles titles) and 20-year-old Naomi Osaka – who was ranked as the only the 68th-best female player in the world at the beginning of 2018.

I’ll give you my take on the kerfuffle that erupted when Serena was penalized by the umpire for her very bad behavior in the next 2 or 3 lines.  

*     *     *     *     *

Today’s featured song was released in 1972 on Big Star’s first studio album, #1 Record.

In a just world, Big Star would have been big stars, and #1 Record would have been a number-one record.


Alas, boys and girls, we don’t live in a just world . . . as the story of Todd Frazier proves.

Click here to hear “Don’t Lie to Me,” which was written by Big Star’s original guitarist, Chris Bell.  (Bell died in a car accident when he was only 27 years old.)

Click on the link below to buy today’s featured song from Amazon:

Friday, February 15, 2013

Big Star -- "In the Street" (1972)


Hanging out
Down the street 
The same old thing
We did last week 

I've previously written about Big Star, one of the most star-crossed bands of all time -- click here to read that post.  

Big Star is a band that has been compared to the Byrds, the Beach Boys, and even the Beatles . . . and whose music can more than hold its own in that august company.

Big Star started to fall apart when guitarist/songwriter Chris Bell left the band after the release of their very first album, #1 Record -- the critics loved it, but their record company marketed it so poorly that its title later seemed like a cruel joke.  Bassist Andy Hummel bailed out after their second album, Radio City, which also garnered great reviews but didn't sell.  

The #1 Record cover
I found #1 Record and Radio City in the cutout bin in a Harvard Square record store when I was in law school in the mid-seventies.  If life were fair, that would have never happened -- any more than Revolver or Let It Bleed or Who's Next would have ended up in a cutout bin, unloved and unwanted and sporting a $1.98 price tag.

Chris Bell died in a car accident when he was only 27.  Andy Hummel and the band's singer and primary songwriter, Alex Chilton -- a pop music genius of the first order -- died in 2010.  Let's hope that all of them realized just how good they had been, regardless of their lack of commercial success.

Alex Chilton
If "In the Street" (from #1 Record) sounds familiar to you, that's because a version of it was used as the theme song of That '70s Show.  The song perfectly captures the restlessness of bored teenagers who can't figure out what the hell to do to entertain themselves.

The record credits "In the Street" to both Bell and Chilton.  A lot of the songs on #1 Record were written by Bell or Chilton individually before Big Star was formed, but the album credits those songs to Bell and Chilton jointly.  The two were 13 years old when the Beatles came to Memphis in 1964, and they later decided to model their songwriting partnership on John Lennon and Paul McCartney.  ("In the Street" was one of Chilton's.)

Laura Prepon
Speaking of That '70s Show, I've made no secret of the fact that I've always had a big crush on Laura Prepon, the tall redhead who played the girlfriend of the doofus that Topher Grace played.  To steal a line from our most ex-president, Jimmy Carter, "I've committed adultery in my heart many times" with Ms. Prepon.

Can you blame me?  (I'm just a man . . . flesh and blood.)

Here's "In the Street":



Click here to buy the song from Amazon:  



Sunday, December 4, 2011

Big Star -- "Back Of A Car" (1974)

Sitting in the back of a car
Music so loud 
I can't tell a thing
Ford Madox Ford's tragic novel, The Good Soldier (1915), has a very famous opening line: "This is the saddest story I have ever heard."

In the world of popular music, the story of the band Big Star may be the saddest story I have ever heard.  

Let's begin with the band's name.  Lead singer Alex Chilton, guitarist Chris Bell, drummer Jody Stephens, and bassist Andy Hummel named their band after a chain of Memphis grocery stores, Big Star Markets.  (During recording sessions, the group used to buy snacks at a nearby Big Star store.)

Big Star (circa 1971)
It sounds like the choice of that name was a fairly casual decision – perhaps it was meant to be somewhat tongue-in-cheek.  Or maybe the four knew deep down inside just how good they were.

Did the choice of names jinx the band?  Did the gods of pop music frown on such hubris?

*     *     *     *     *

Big Star should have been big stars.  They wrote and recorded songs that were as good as those of the great sixties bands they've been compared to – including the Byrds, the Beach Boys, and even the Beatles.

I think the most apt comparison is to the Beatles.  I know, that sounds almost sacrilegious – everyone thinks the Beatles stand alone on the top of pop music's Mount Olympus.  But if the Beatles had been from Memphis instead of Liverpool, they might have sounded very much like Big Star.   

Big Star's first album was titled #1 Record.  (The ironies are really starting to pile up, boys and girls: Big Star should have been big stars, and #1 Record should have been a #1 record.)


The "#1 Record" cover
The reviews of the album were very positive.  Billboard said, "Every cut could be a single," which is exactly right.  Rolling Stone said that #1 Record, which featured both reflective, acoustic cuts and powerful and sharp-edged rockers, was "exceptionally good."

But Big Star's record label, Memphis-based Stax Records, specialized in soul, blues, and gospel music, and seemed to be clueless when it came to marketing #1 Record.  

Stax had recently signed a distribution deal with Columbia Records, which should have led to broader availability of Big Star's album.  Perhaps as the result of corporate politics, just the opposite happened.  #1 Record never got any traction, and sales were shockingly poor.

*     *     *     *     *

Frustrated by the situation, the band's members turned on one another.  Hummel punched Bell in the face, and Bell retaliated by smashing Hummel's new bass guitars to pieces.

Hummel later saw Bell's acoustic guitar in Bell's unlocked car and went after it with a screwdriver.

Bell quit the band once, came back, then quit again.  (He was a heavy drug user, and also struggled with depression.)

The other three members of the group managed to finish the second Big Star album, Radio City, which was released in 1974.  But just before its release, Hummel quit the band -- he was a senior in college, and decide to concentrate on his studies and live a more normal life.  (He left one of the greatest American power pop bands to ever record an album to "concentrate on his studies"?  That leaves me speechless.  Things must really have been going badly for the band.)  

Radio City sold only 20,000 copies -- once again, the reviews were positive, but the marketing support and distribution efforts were lacking.


(Did you notice the Kama Sutra poster in the background of this album cover?)

Chilton and Stephens went right back into the studio with a number of session musicians and quickly produced a third album.  But the record's producer couldn't find a record company interested in releasing an album that has been described as "beautiful and disturbing" and "vehemently original."  That was the end of Big Star for almost 20 years.

*     *     *     *     *

Slowly but surely, the band's reputation continued to grow.  I must have learned about Big Star from an article in one of the underground Boston papers in 1975 or 1976, when I was in law school.  I found #1 Record and Radio City in the cutout bin at a Harvard Square record store and snatched them up.  That was one of the smartest record purchases I ever made – those albums are amazing. 

In 1978, Big Star's first two albums were released in the UK to general critical acclaim, and the third album – which had never been officially titled – was released in the US as Third/Sister Lovers.  (Chilton and Stephens had been dating sisters when the album was recorded.)  

Not long after that album was released, Chris Bell died in a car accident – he was only 27.

Chilton and Stephens reformed the band in 1993, toured extensively, and released an album consisting of new material in 2005.  It received reasonably positive reviews, but there was no way the new album was going to meet expectations.  

Alex Chilton died in March 2010 after being admitted to a hospital with heart problems.

Andy Hummel died of cancer a few months later, leaving Jody Stephens as the only surviving original member of the band.

A very young Alex Chilton
A final word about Alex Chilton.  Chilton got his start in rock and roll as the lead singer of the Box Tops in 1967, when he was only 16 years old.  It's his voice you hear on their hit singles, including "The Letter" and "Cry Like a Baby."  

Chilton co-wrote the songs on #1 Record with Chris Bell, and co-wrote the songs on Radio City with Andy Hummel.  The songs on Third/Sister Lovers were primarily his.  The contributions of the other band members shouldn't be ignored, but Chilton was the moving force behind Big Star.

*     *     *     *     *

It's shocking that Big Star isn't more well-known today.  The band has been called "one of the most mythic and influential cult acts in all of rock & roll,"  and the groups that have acknowledged Big Star's influence on their music include the Posies, the Replacements, and R.E.M.  

Peter Buck once said that R.E.M. had never made a record as good as Revolver, Highway 61 Revisited, Exile on Main Street, or Third/Sister Lovers.  That's putting Big Star in the same league as the Beatles, Bob Dylan, and the Rolling Stones – pretty good company.

But the only Big Star song that most people have ever heard is "In the Street," which was the basis for the theme song for That '70's Show.  

Speaking of which, Laura Prepon was sooooooo hot.  I used to have a HUGE crush on her.  (Who am I kidding with this "used to" stuff?  I still have a huge crush on her.)

Laura Prepon
"In the Street" is a great song.  But just imagine if most people only knew about the Beatles or Beach Boys because one of their songs had been used for a TV sitcom theme song.  

I told you this was going to be a sad story. 

*     *     *     *     *

Click here to listen to "Back Of A Car."

Here's a link you can use to buy it from Amazon: