Friday, August 30, 2024

Coldplay – "Paradise" (2011)


She dreamed of para-, para-, paradise

Para-, para-, paradise

Para-, para-, paradise

Every time she closed her eyes


It’s almost September – which means it’s almost time for yours truly to announce the newest members of the 2 OR 3 LINES “GOLDEN DECADE” HIT SINGLES HALL OF FAME.  (I see you shiver with an-ti-ci . . . PA-shun!)


I pick every recording that’s inducted into the various 2 or 3 lines halls of fame personally . . . and I stand behind my choices 110%.  The same can not be said for all the lists of favorite books, movies, and music that various politicians have issued in recent years, most of which are as phony as three-dollar bills.


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As Louis Chilton of The Independent has written,


When politicians profess to adore this or that cultural product, it should usually be taken with a pinch of salt. . . . Name-dropping a popular band, movie or TV series is an easy, cost-free way of barnacling oneself onto the hull of something with greater cultural cachet. 


Politicians want people to think that they’re cool – partly because they believe that voters are more likely to vote for cool candidates.


But politicians are mostly eager to appear cool because they are painfully aware that they aren’t actually cool – and probably never were cool.  (Unlike 2 or 3 lines!)  


Take Bill Clinton.  (Please!)  Clinton wasn’t cool in high school – he was a nerd who got his blue jeans in the “husky” section of the J.C. Penney’s boys department, and who played saxophone in the marching band.  He couldn’t have gotten a date with a cheerleader if his life depended on it – which probably explains why he chased women so obsessively after going into politics.


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In 2015, the White House issued a press release announcing that it had signed up for Spotify, and sharing President Barack Obama’s inaugural playlist.  (From what I can tell, this was the first time that a president or other prominent politician had published his or her musical favorites.)


In fact, that press release contained two Spotify playlists – one for daytime listening and one for the evening.  Click here to see both lists.


Obama continues to release not only music playlists but also reading lists every summer.  You can click here to get his 2024 recommendations, which were published in Medium.com just a couple of weeks ago.


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That 2015 White House press release goes to great lengths to persuade us that Obama personally drafted those Spotify playlists.  For example, it includes a photograph purporting to show him working on them along with his Chief Digital Officer in the Oval Office.


Of course, that photograph doesn’t show the former President’s face, or anything else that would definitively identify him – e.g., a copy of his Nigerian birth certificate:


(That could be anyone’s hand)

So it’s not surprising that there are a lot of skeptics out there who doubt that Obama was really responsible for those 2015 playlists and the ones that followed.  Louis Chilton of The Independent is one of those skeptics:


There is no shortage of conspiracy theories surrounding the authorship and agenda of Barack Obama’s yearly cultural recommendations lists.


Obama has waffled a little when asked whether the lists are truly genuine.  He told one interviewer that


I am very scrupulous about making sure this is stuff I actually like . . . . [But] I will confess that there are times on the playlists, on the music playlists, where I will get suggestions because it’s not like I got [sic] time to be listening to music all the time.


I suspected as much.  I have plenty of time to waste creating such lists and sharing them on 2 or 3 lines, but SURELY Obama has more important things to do.


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I have to say that Obama’s original 2015 Spotify playlist doesn’t ring quite true to me.  And even if he did construct that list personally instead of delegating the task to a press-office lackey, it looks like his choices were made in hopes of scoring points with the voters.


For example, exactly half of the songs on the list are by black artists, and half aren’t.  (Kind of like Obama himself.)  Does that mean that he truly likes black and white music equally, or does the 50-50 split more an indication that he is trying very hard not to be seen as favoring the music of one race over than of the other?


Did the former president include two songs by Hispanic musicians on his playlist because he is really a fan of those records, or was he just trying to make sure no one could criticize his playlist for being lacking in diversity?


Obama’s playlist has something for boomers and millenials alike: about half of his selections are from the 1960s and 1970s, while the other half are from the 2000s and 2010s.  (Remember – this list was created in 2015, so don’t expect to find anything from the last ten years.). 


It seems odd to me that the playlist includes a number of recordings from the previous two or three years, but almost nothing from his high school and college years.  After all, do you know any 55-year-old guys who listen mostly to music released in the last two or three years instead of the music that was popular their senior year in high school?  (Me neither.)


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Note that most of the records on the original Obama playlist that were recorded by black musicians are from the sixties and seventies, while it’s the records by white artists that are relatively new.  


That makes me think that while Obama himself might have chosen the records by Temptations, Aretha Franklin, and Stevie Wonder, that someone younger and whiter picked the newer songs by white artists – e.g., Justin Timberlake, Coldplay, and Okkervil River – that made the list.  (The two older white artists on Obama’s list – Bob Dylan and The Rolling Stones – are so famous that even an intern fresh out of college would have been familiar with them.)  


Does that indicate that 44th president chose some but not all of the songs on his playlist?  Perhaps.


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One of the recordings on Obama’s 2015 playlist is Coldplay’s 2011 release, “Paradise,” which was a #1 hit single in the UK but peaked at #15 on the Billboard “Hot 100” chart.


I can’t believe anyone with half a brain would think “Paradise” is a good record because IT’S NOT!  Rather than think that Obama actually liked this piece of crap, I’m going to join the ranks of the skeptics who believe that he had little if anything to do with choosing what songs to include on his annual recommended lists.


My personal theory is that “Paradise” ended up on his 2015 playlist because a group of female White House interns who were assigned to come up with a draft playlist went out to a karaoke bar one night and saw a really cute guy get up and sing it.  


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Do you remember the brilliant but very odd seventies band Devo?  Devo believed that the human race was in a downward spiral of decadence fueled by moral decline, mechanization, and overconsumption – that we weren’t evolving, but de-evolving.  Click here to watch the “Paradise” music video, which conclusively demonstrates that Devo was on to something. 


Click here to buy “Paradise” from Amazon.


Tuesday, August 27, 2024

City Boy – "Goodbye, Blue Monday" (1976)


Hey, all you creepers

Just form a line to kiss my ass


That’s all I have to say for now.  Any questions?


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I’m a sucker for seventies groups like Sparks, 10CC, and City Boy, whose songs were notable for their tongue-in-cheek and too-clever-by-half lyrics, insanely catchy tunes, and highly sophisticated arrangements.    


All these bands had musical ADHD.  They were capable of coming up with lots of appealing hooks, but seemed to become bored easily.  After a minute or two – just as a song was starting to grow on you – they would abruptly segue into something that sounded completely different.    


The British music magazine NME once had this to say about City Boy’s second album, Dinner at the Ritz – which includes “Goodbye, Blue Monday”:


Not even the highest ballyhoo of praise could do justice to City Boy's masterwork, Dinner At The Ritz. . . . You hear a composing style which has been influenced by, respectfully, Lennon and McCartney, novelist Ian Fleming, and Noel Coward.  Very English . . . but very strange.


I agree that Dinner at the Ritz is a masterwork – and that it is very strange indeed.  But I can’t say that I buy that stuff about Lennon-McCartney, Ian Fleming, and Noel Coward.


Click here to listen to “Goodbye, Blue Monday.”


Click here to buy that recording from Amazon.


 

Friday, August 23, 2024

Buckinghams – "Mercy, Mercy, Mercy" (1967)


My baby, she may not look

Like one of those bunnies

Out of a Playboy Club


(Having seen your girlfriend, I have to agree with you.)


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Chris Carter featured music from 1967 on his most recent show on the Sirius/XM “Underground Garage” channel . . . which got me thinking.


There were an amazing number of great records released that year.  To show you what I mean, here are the records that topped the Billboard “Hot 100” singles chart this week in 1967:


10.  “A Girl Like You” – Young Rascals


  9.  “Carrie-Anne” – Hollies


  8.  “Windy” – Association


  7.  “A Whiter Shade of Pale” – Procul Harum


  6.  “Can’t Take My Eyes Off You” – Frankie Valli


  5.  “Mercy, Mercy, Mercy” – Buckinghams


  4.  “Pleasant Valley Sunday” – Monkees


  3.  “I Was Made to Love Her” – Stevie Wonder


  2.  “All You Need Is Love” – Beatles


  1.  “Light My Fire” – Doors


There are no bad apples to spoil that barrel of singles, boys and girls – the worst of them are pretty good, and the best of them are great.


Let’s contrast that top ten list with the current Billboard top ten:


10.  “Too Sweet” – Hozier


  9.  “Lose Control” – Teddy Swims


  8.  “Please Please Please” – Sabrina Carpenter


  7.  “Birds of a Feather” – Billie Eilish


  6.  “Good Luck, Babe!” – Chappell Roan


  5.  “Million Dollar Baby” – Tommy Richman  


  4.  “Espresso” – Sabrina Carpenter


  3.  “Not Like Us” – Kendrick Lamar


  2.  “I Had Some Help” – Post Malone (ft. Morgan Wallen)


  1.  “A Bar Song (Tipsy)” – Shaboozey


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Res ipsa loquitur is legal term that means “the thing itself speaks.”  It is used to describe a situation where the very nature of an incident makes things so clear that you don’t need any additional evidence to support a legal finding.


For example, imagine that you have acute abdominal pain after having your appendix removed.  X-rays show that there was a scalpel left behind in your abdomen when that surgery was performed.  The mere fact that the scalpel is there is res ipsa loquitur proof of negligence on the surgeon’s part – it speaks for itself.


After comparing the 1967 top ten list to the current list, I immediately concluded that the superiority of the 1967 top ten was so clear that we had a case of res ipsa loquitur.


I came to that conclusion despite the fact that I had never listened to any of the records currently in the top ten.  That didn’t really seem fair on my part, so I decided to give the current top ten list a listen.


I was only able to make it about halfway through that list before I had to quit.  I simply couldn’t stand to listen to the entire list – each record was worse than the one before!  And I’m just a man – mere flesh and blood . . .  


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“Mercy, Mercy, Mercy” was first recorded by jazz saxophonist “Cannonball” Adderley in 1966.  His instrumental version made it to #11 on the Billboard “Hot 100.”


Later that year, the Buckinghams had a #5 hit with a cover of the song that featured lyrics written by Gail Fisher.  I remember Gail Fisher as the Emmy-winning actress who portrayed Joe Mannix’s secretary on the Mannix TV series from 1968 to 1975, but it turns out that she was a successful jazz lyricist as well as an actress.


The Buckinghams had five hit singles in 1967 – “Kind of a Drag” made it all the way to #1 – but never cracked the top forty again.  That may have been because the group parted company with producer James Williams Guercio in 1968.


Guercio is best known as the producer of Chicago’s first eleven studio albums, but also produced Blood, Sweat & Tears’ second album, which won the “Album of the Year” Grammy in 1969.


Click here to listen to “Mercy, Mercy, Mercy.”


Click here to order that recording from Amazon.