“The first record that I fell in love with was a thing called ‘Flamingo’ by a saxophone player called Earl Bostic,” the late Charlie Watts told a BBC interviewer in 2011.
Bostic was born in 1913 in Tulsa. He attended Xavier University in New Orleans, then moved to New York City and achieved great success as a jazz performer, songwriter, and arranger.
Many of Bostic’s contemporaries thought he was technically superior to any other alto saxophonist of his era – including Charlie “Bird” Parker and John Coltrane.
In 2011, fellow saxophonist Lou Donaldson told an interviewer that Bostic was the greatest saxophone player he ever heard:
[T]he man could play three octaves. I mean play ’em, I don’t mean just hit the notes. He was bad. He was a technician you wouldn’t believe. . . . [One night] Bostic was down at Minton’s [Playhouse, the famous jazz club in Harlem] and Charlie Parker came in there. They played “Sweet Georgia Brown” or something and he gave Charlie Parker a saxophone lesson.
Legendary jazz drummer Art Blakely concurred in Donaldson’s judgment:
Nobody knew more about the saxophone than Bostic, I mean technically, and that includes Bird [Parker]. Working with Bostic was like attending a university of the saxophone. When [John] Coltrane played with Bostic, I know he learned a lot.
Bostic’s records don’t fully capture his virtuosity. He wanted badly to be a commercial success, and changed his style in order to appeal to a wider audience.
“Flamingo” was a #1 R&B hit for Bostic in 1951. Like many of his best-selling records, “Flamingo” has a heavy backbeat and is very danceable. Bostic’s playing is raspy and bluesy – the record wouldn’t have sounded out of place at a burlesque joint.
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Click here to listen to Earl Bostic’s “Flamingo.”
Click on the link below to buy the song from Amazon:
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