Showing posts with label Midnight Cowboy. Show all posts
Showing posts with label Midnight Cowboy. Show all posts

Wednesday, February 28, 2024

Elephant's Memory – "Jungle Gym at the Zoo" (1969)


Baby, you’re an animal

And I guess I’m just a cannibal


“Old Man Willow” by Elephant’s Memory was featured on the soundtrack of the Academy Award-winning movie Midnight Cowboy, which was the subject of the last 2 or 3 lines.  


After re-watching that movie recently, I realized that I had the entire Elephant’s Memory album that included “Old Man Willow” on my computer – and that I used to listen to that album on my iPod years ago.  


I had a silver one and a green one

I still don’t understand why Apple stopped selling iPods.  (I LOVED my iPod Shuffle – it was perfect for bike rides.). As late as 2008, the iPod was Apple’s best-selling product.  It was responsible for 42% of Apple’s revenue in the first quarter of that year – more than Apple realized from computer sales. 


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No one remembers Elephant’s Memory today, but their eponymous debut album – which was released in 1969 – is GREAT!


Here’s what rock music critic Richie Unterberger had to say about that album:


An elephant’s memory is legendarily large, and so was the size and scope of the New York band that went by the same name.  Unlike some other horn-rock ensembles of the late-‘60s that took advantage of the freedom to expand rock’s size and sound, however, Elephant’s Memory weren’t merely a rock band with jazz overtones.  


There was plenty of pile-driving rock’n’roll, and a good deal of jazz of both the free and big band varieties.  But there was also soul, spaced-out psychedelia, and pop – not just over the course of the entire album, but sometimes within the space of a single song – and what can only be described as downright strange lyrics about hot dog men, yogurt, love as a jungle gym, and “Old Man Willow.”  [NOTE: I don’t think “The Yogurt Song’ was really about yogurt.]  


Some of it was written by [Tony Visconti,] who’d go on to produce David Bowie, some of it would end up on the soundtrack to the classic movie Midnight Cowboy, and the whole shebang was produced by [Wes Farrell,] who’d go on to produce the Partridge Family.  


If Elephant’s Memory were a strange band, they were certainly no stranger than their surroundings, with second-degree-separations between the careers of not only Bowie, Midnight Cowboy star Dustin Hoffman, and the Partridge Family, but also the Beatles and Carly Simon.  [NOTE: Simon was the group’s original lead vocalist, but left before their debut album was recorded.]


Even by the standards of the late 1960’s, which saw some of the strangest and most genre-bending rock albums ever, Elephant’s Memory is a strange animal. . . .


Even the relatively straightforward R&B-soaked tunes were apt to take weird left turns, like the guttural nonsense chanting and siren-like scatting that interrupt “Don’t Put Me on Trial No More”; the “Baby, you’re an animal/And I guess I’m just a cannibal” refrain of “Jungle Gym at the Zoo”; the low moans on “Takin’ a Walk” that sounded like the mating of a vacuum cleaner with an actual elephant; and the hippie marching-band anthem ethos of “Band of Love.”  


And there was “Hot Dog Man,” where actual street conversations between the band and hot dog vendors were interlaced with hot funk licks and cheerleading-like chants from the band mimicking the hot dog men's sales pitch.


The music on Elephant’s Memory is weird, but it’s also very listenable.  If my iPod hadn’t given up the ghost a decade or so ago, I’d strap it on and listen to it right now.


[NOTE:  It is much easier to quote a lot of sh*t someone else wrote than it is to write sh*t yourself.]


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Click here to listen to “Jungle Gym at the Zoo,” which is featured on the Midnight Cowboy soundtrack.


Click here to buy the recording from Amazon.


Monday, February 26, 2024

Elephant's Memory – "Old Man Willow" (1969)


He just wants to get out of the sun

And find a place where he can go to sleep


Fun fact about the 1969 movie, Midnight Cowboy: it’s the only X-rated film to win an Academy Award for Best Picture.  (Coincidentally, Oliver! – which was released the previous year – is the only G-rated movie to win a Best Picture Oscar.)


Actually, Midnight Cowboy wasn’t really an X-rated movie.  The head of the studio that produced it assumed it would be rated X, so he didn’t bother submitting it to the Motion Picture Association of America for an official rating – he simply put an X rating on it himself.  Two years later, the MPAA gave the movie an R rating without even being asked.


If you’d like to learn more about the making of Midnight Cowboy, I highly recommend Glenn Frankel’s 2021 book, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation and the Making of a Dark Classic.


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The old X rating (which was renamed NC-17 in 1990) eventually became exclusively associated with porn movies.  But before that happened, several well-respected directors made X-rated movies, including Nicholas Roeg (Performance), Stanley Kubrick  (Clockwork Orange), and Bernardo Bertolucci (Last Tango in Paris).


Sam Peckinpah’s greatest movie, The Wild Bunch, was originally rated R when it was released in 1969.  Warner Bros. decided to do a 25th anniversary re-release in 1994, and resubmitted the movie to the MPAA – which rated it NC-17 for some reason.  After a year of bitching and moaning by the studio, the MPAA agreed to give the movie an R rating – clearing the way for the 26th anniversary re-release of The Wild Bunch.


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Midnight Cowboy and The Wild Bunch weren’t the only notable movies to be released in 1969 – Bob & Carol & Ted & Alice,  Butch Cassidy and the Sundance Kid, Easy Rider, Goodbye Columbus, Marlowe, Medium Cool, and Once Upon a Time in the West are among the others.


1969 marked the beginning of the greatest decade in American film history.  Five Easy Pieces, The French Connection, The Last Picture Show, McCabe & Mrs. Miller, The Godfather, Mean Streets, The Long Goodbye, American Graffiti, Badlands, The Godfather Part II, Chinatown, The Conversation, Nashville, Taxi Driver, Star Wars, An Unmarried Woman, Days of Heaven, Apocalypse Now, and Breaking Away were all released between 1969 and 1979.


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Harry Nilsson’s recording of “Everybody’s Talkin’” is the song from the Midnight Cowboy soundtrack that everyone knows.


But let’s not forget “Old Man Willow” by Elephant’s Memory, which you hear during the Midnight Cowboy scene when Joe Buck (Jon Voight) and Ratso Rizzo (Dustin Hoffman) go to a party whose attendees include several of Andy Warhol’s better-known pals. 


Several years after Midnight Cowboy was released, Elephant’s Memory became John Lennon and Yoko Ono’s backup band.  But I’ll forgive them for that because “Old Man Willow” is a seriously groovy track.


Click here to listen to “Old Man Willow.”  (The song is named for a character in The Lord of the Rings.)


Click here to buy the recording from Amazon.